Queensland Theatre launched Season 2020, the Company’s 50th season of stage stories and the final under the artistic directorship of Sam Strong.
“Season 2020 confirms Queensland Theatre as the national home of new stories, with 50 percent of the season being world premieres,” said Strong. “I’m proud of how we have transformed Queensland Theatre over the last four years, but I am especially proud of our championing of new stories. This is the third successive year in which at least half of our season has been brand new work,” he said.
“In the four years including 2020, we will have staged 15 world premieres, including 10 commissions reaching the stage. That’s a theatre company reflecting contemporary Australia back to itself more than ever before and more than any other. This has included established names and new plays by David Williamson, Joanna Murray Smith, Sue Smith and Melissa Bubnic. It has also included at least seven mainstage debuts, three First Nations writers, two Asian-Australian writers, one Islamic-Australian writer and one transgender writer.”
“However, it wouldn’t be a Queensland Theatre season if we weren’t ambitiously growing. We are celebrating the milestone of our 50th season of stories by reflecting Queensland like never before. This includes more Queensland exclusives and the theatrical event of the year, the stage version of Trent Dalton’s smash hit novel, Boy Swallows Universe.”
The 50th anniversary year opens with David Williamson’s Emerald City which celebrates the playwright’s 50th anniversary. The play uses the hedonistic late-1980s as a canvas to explore bigger – and ever more relevant – concerns about compromising personal ideals. Directed by Sam Strong, Emerald City sees the return of Rhys Muldoon (House Husbands and Rake) to Queensland Theatre after the success of his turn as Isaac Newton in David Williamson’s Nearer the Gods.
From contemporary New York comes Triple X, by one of Australia’s most prolific and dynamic young writers-turned-New York local in Glace Chase. This world premiere, directed by Paige Rattray, will move audiences as well as make them laugh through its dissection of gender and sexuality in the 2020s.
In May, Queensland Theatre presents William Shakespeare’s tragedy, Othello. Directed by Jason Klarwein and starring Jimi Bani, this uniquely Queensland version will give the classic an evocative and effective setting in the Torres Strait during the Second World War.
Next up, the world premiere of the Queensland Premier’s Drama Award-winning play The Holidays, by David Megarrity, directed by Matilda Award-wining Bridget Boyle. This play will transport audiences to a quintessentially Queensland beach getaway for a touching meditation on mortality.
Posing the question, ‘what’s our responsibility to the future’ and set in the wake of a nuclear disaster, The Children is written by one of the UK’s leading young playwrights in Lucy Kirkwood and will be directed by mainstage debutant Zoe Tuffin.
Then, one of the most anticipated stage stories of the year – and an Australian coup – the world premiere stage version of Trent Dalton’s wildly successful novel Boy Swallows Universe brings Brisbane unforgettably to life under the direction of Sam Strong. Adapted for stage by Tim McGarry and presented in partnership with Brisbane Festival, the play will see the blockbuster Australian novel burst onto stage.
In October, the Griffin award-winning Prima Facie, by Suzie Miller presents a one woman show which mounts an irresistible call for change through its powerful story of a defense barrister who finds herself on the wrong side of the system, directed by Lee Lewis.
The Season 2020 finale is the world premiere and Queensland exclusive of Phaedra, which satirically transplants one of drama's great heroines to a Queensland that has seceded from the rest of Australia. From the minds of Queensland’s own Belloo Creative, written by Katherine Lyall-Watson and directed by Caroline Dunphy, the play sees the return of Angie Milliken to Queensland Theatre’s stage.
Sam Strong paid tribute to Queensland Theatre and audiences. “I am so grateful to have had the opportunity to lead Queensland Theatre and am so proud of what we have achieved together over the last four years. I’ve loved living, working and sitting in lots of theatres in Queensland, including the one we built together. Thank you for so generously embracing me and the Company’s work. Brisbane really does have the warmest audiences in Australia. I can’t wait to return to those audiences as a punter and as a director in 2020.”